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• Aw, Justine, and Shawn Sims. 2012. “London 3D Print Show.” NOTCOT, October 20, 2012. http://www.notcot.com/archives/2012/10/london-3d-print-show.php.

• Bate, Dana. 2008. “Philly Exhibit Explores Idea of Technology as 21st-Century Phantom Limb.” WHHY, April 12, 2008. https://whyy.org/segments/philly-exhibit-explores-idea-of-technology-as-21st-century-phantom-limb/.ts/philly-exhibit-explores-idea-of-technology-as-21st-century-phantom-limb/.

• Botz, Justin. 2014. “Artist in Residence Sophie Kahn.” Marginalia, September 22, 2014. https://blogs.colum.edu/marginalia/2014/09/22/artist-in-residence-sophie-kahn/.

• Crawford, Ashley. 2009. “Found in Translation.” Photofile, no. 85 (December-March), 40-49.

• Dale, Brady. 2015. “The Business of Digital Art Needs to Catch up to the Making of it: Sophie Kahn.” Technical.ly, March 5, 2015. https://technical.ly/brooklyn/2015/03/05/business-digital-art-needs-catch-making-sophie-kahn/.

• Dean, Bec. 2008. “Interview with Sophie Kahn.” In Trace Elements: Spirit and Memory in Japanese and Australian Photomedia, edited by Iida Shihoko, 98-103. Tokyo, Japan: Tokyo Opera City Cultural Foundation.

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• Glass, Alexie. 2006. “Kahn, Sophie.” In Bitmap: International Digital Photo Project, edited by Heejung Yoon and Junsuk Suh. Seoul, South Korea: Yellow Sea Publication. Exhibition Catalogue.

• Glassman, Amanda. 2019. “Unstable Object :: In Corpore Sano Presents Sophie Kahn.” The Operating System, March 22, 2019. https://medium.com/the-operating-system/unstable-object-in-corpore-sano-presents-sophie-kahn-f62c1eb41c9a.

• Grayson, Chris. 2009. “Sophie Barrett-Kahn Peers Through Her DIY Scanner, Darkly.” h+ Magazine, no. 4 (Fall), 70-73.

• Hart, Claudia, Nicholas O'Brien, and Rachel Clarke. 2013. “The New Romantics: Flaneurs and Dandies of the Twenty-First Century.” Metaverse Creativity 3, no. 1 (December): 15-21. https://doi.org/10.1386/mvcr.3.1-2.15_1.

• Harty, Kim. 2013. “Sophie Kahn and Norwood Viviano: Mining Data, Crafting Meaning.” GASnews 24 (4).

• Hedges, Frances. 2016. “Tomorrow's World.” Harper's Bazaar Art, November, 2016, 32-33.

• Hewson, Tess. 2006. “Life Focus.” Jmag, (February).

• Hoskins, Stephen. 2018. “Case Study: Sophie Kahn.” In 3D Printing for Artists, Designers and Makers, 91-94. 2nd ed. London, United Kingdom: Bloomsbury Visual Arts.

• Hosner, Katie. 2016. “Sculpting and 3D Printing Combined to Create Fragmented Female Forms.” My Modern Met, June 16, 2016. https://mymodernmet.com/sophie-kahn-fragmented-sculptures.

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• Johnston, Lucy. 2015. “Sophie Kahn: Seeking the Perfect Imperfections of a Contemporary Maker's Tool.” In Digital Handmade: Craftsmanship and the New Industrial Revolution, 130-133. London: Thames and Hudson.

• Kahn, Sophie. 2017. “On Preserving Glitch.” In The Addivist Cookbook, edited by Morehshin Allahyari and Daniel Rourke, 327-329. Amsterdam, Netherlands: Institute of Network Cultures.

• Matisons, Michelle. 2015. “A Poetics of Failure: Sophie Kahn Uses 3D Printing to Challenge the Digital Era.” 3DPrint.com, January 26, 2015. https://3dprint.com/39643/sophie-kahn-deconstruction/.

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• Morón, Rachel. 2016. “Revealing the Gaps of Reality: An Interview with Sophie Kahn.” GUP Magazine, June 3, 2016.                           http://preview.gupmagazine.com/articles/revealing-the-gaps-of-reality-an-interview-with-sophie-kahn.

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